![]() ![]() Matrices for machine composition were made by Intertype.ĭespite its clean geometric appearance, some of Futura's design choices recalled classic serif typefaces. Extra Bold Italic font was designed in 1955 by Edwin W. Light Oblique, Medium Oblique, Demibold, and Demibold Oblique fonts were later released in 1930. ![]() The family was originally cast in Light, Medium, Bold, and Bold Oblique fonts in 1928. ![]() Paul Renner began sketching his letters that would become Futura in 1924 the typeface was available for use three years later. The uppercase characters present proportions similar to those of classical Roman capitals. The lowercase has tall ascenders, which rise above the cap line, and uses a single-story 'a' and 'g', previously more common in handwriting than in printed text. It is based on strokes of near-even weight, which are low in contrast. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Contentsįutura has an appearance of efficiency and forwardness. It was commissioned as a typeface by the Bauer Type Foundry, in reaction to Ludwig & Mayer's seminal Erbar of 1922. It is based on geometric shapes that became representative of visual elements of the Bauhaus design style of 1919–33. It was designed as a contribution on the New Frankfurt-project. Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. ![]()
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